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Billie Lourd Pays Tribute to Late Mother Carrie Fisher on Sixth Anniversary of her Death

  Billie Lourd wrote a tribute post to her late mother Carrie Fisher six years after Carrie’s death. In a Tuesday Instagram post, the Ticket to Paradise star acknowledged the six-year anniversary of her mother Carrie Fisher’s death. Captioning a photo of herself and her late mother together, Billie wrote, “It has been 6 years since my Momby died (feels like 2 but also like 705 at the same time?). And unlike most other years since she’s died, this year, these past two weeks have been some of the most joyful of my life.” Billie and her husband Austen Rydell welcomed their second child, Jackson, on 12 December. They also share two-year-old Kingston. “My mom is not here to meet either of them and isn’t here to experience any of the magic. Sometimes the magical moments can also be the hardest,” the actress shared in her post. “For anyone out there experiencing the reality of grief alongside the magic of life, I see you. You are not alone.” She advised anyone experiencing both “magical” and

Jack Harlow Says He Doesn’t Rap About Being White

Last week, his collaboration with Lil Nas X, “Industry Baby” peaked at No.1 on the Billboard Hot 100. Kanye West also contributed to, as co-writer and co-producer on the record.


Jack has his opinions about Kanye’s Donda-related capers. In an interview with GQ, the rapper talked about Kanye’s recent aesthetic, which lately has included a lot of Balenciaga and a penchant for masks.


“I think he sees himself as Mozart or Beethoven,” Harlow said of Yeezy. “I think he’s worried, not about what it looks like now but what it will look like in 100 years. Take what happened with the Taylor Swift situation: at the time it was all pitchforks, but now people treat that as iconic. I am always fascinated to see what he does next. This Donda roll-out, people are going to remember that for years.”


Jack also opened up on what it means to be a white person who raps for a living. “I have serious imposter syndrome the whole way through,” he explained. “And then you have to bounce with it and you feel like you are totally where you are supposed to be. Moments of self-doubt combined with moments of I am who I think I am.”


He added, “I think what has worked for me is that my music has never been about the fact that I am white. I don’t try to lean into the, ‘Hey, I’m the white boy.’ I try not to make it a novelty. I rap from the heart, rather than trying to do a white version of the art form.” 

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